Alex Snepvangers' Stylism
What are lino prints printed with?
Monday 3 June 2013
Techniques I've Learnt and My Culture
Techniques:
I learnt the process of etching.
Firstly, I
drew my etching, with a needle, onto a plastic plate.
In order to achieve a print, I spread ink onto my
etching and pushed it into the etched grooves; I then whipped the surface clean
with cloth, leaving only the etched areas retaining ink. The actual impression
is made with a copper plate press which is similar to an old washing mangle
with a large plank or `bed’ between the rollers. The plate is placed on the
bed, covered with dampened paper and backed with three or four felt blankets.
These are then passed through the press under high
pressure, the malleable paper is forced into the cuts and ridges in the plate
and thus picks up the ink. When the paper is finally peeled off, it reveals a mirror
image of the etched drawing.
This inking procedure is then repeated for each
print.
I also learnt techniques from Kathe Kollwitz, to show
something or an issue through my artworks. I am trying to show the issue that
refugees still have to face in Australia. I have also learnt to inform my
artworks, like she did. I did this by looking up articles on refugees, and
pictures of refugees, as well as other etchings. Kathe Kollwitz did this by
looking at people around her community, and the social experience that they
experienced as well as herself.
How is my artwork reflective of my chosen culture?
My artwork refers to refugee culture in that I have used a portrait of a person, to show the suffering in a person faces, when they do not have very much in life. It shows the depression and hardship they have and have delt with, and that it still hasn't stopped, once they have come to Australia. Like Kollwitz's work showing poverty and the social conditions in her life my work is also black and white and emphasizes the eyes staring out at you. The eyes are the darkest part of my artwork, so that you look there as the first point. The cross hatching of the lines also emphasises different textures and ways of showing the face peering out from the blackness of life. The light and dark contrast in the different ways that the lines have been etched show that there is some hope for the person, as some light is shining on the face.
Asylum seekers were not as much of a problem in the time of Kathe Kollwitz, and thus serve as a contemporary influence.
My Prezi (Kathe Kollwitz)
This is my prezi on Kathe Kollwitz and her works.
Link: http://prezi.com/extm8zgkqhk3/
Link: http://prezi.com/extm8zgkqhk3/
Kathe Kollwitz' Work
Kollwitz’s artworks are about her feelings towards life as she observed it in Germany at the time of
the First World War. She is an artist who focused on the social conditions of the time in which she
lived and she used poor people, current events and the dark European landscape as the main subject
matter of her works. To convey the desperate poverty of many of the people she observed around
her she used dark tones and mainly black and white in her drawings, prints and lithographs.
She liked trying new and innovative techniques especially in printmaking to convey different
monochromatic tonal effects in the artworks. To emphasise the suffering of the people she also
took ideas from German Expressionism, for example, heavy dark outlines around figures
and distortion of certain features as she was interested in creating artworks that distorted the
proportions of the people to emphasize their suffering.
Wednesday 29 May 2013
Critical Analysis
Overall I was quite happy with my etching.
However I would have done some things differently. First of
all I probably would have changed the background that I etched. It is just
plain straight lines, at diagonals. I believe that I could have done a
different background, with more detailed and unique lines to represent Kathe
Kollwitz’ technique. I would have made the face a bit darker, if my background
was different. My face is also not symmetrical; I could have made it a little
bit more life-like, however this works in a way, as Kollwitz’ emphasised cerain
featuresand distorted her figures, which is what I was trying to accomplish.
Also my hair is not very distinctive against the background, and probably
needed to stand out more.
In addition, with my etching process, to avoid the smudges
that I have, I will next time work in a cleaner workplace.
What I did well in my artworks
I believe that I used Kathe Kollwitz lines effectively
throughout my artwork. I used her style of drawing a figure, shrouded in
shadows, instead of creating something with intricate detail. I also believe
that I used an effective amount of positive and negative space well through my
material.
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